The Ken Burns aftereffect is a accepted name for a blazon of animadversion and zooming aftereffect acclimated in video assembly from still imagery.
The name derives from all-encompassing use of the address by American documentarian Ken Burns. The address predates his use of it, but his name has become associated with the aftereffect in abundant the aforementioned way as Alfred Hitchcock is associated with the Hitchcock zoom.
The name The Ken Burns Aftereffect was acclimated by Apple[1] in 2003 for a affection in its iMovie 3 software. The affection enables a broadly acclimated address of embedding still photographs in motion pictures, displayed with apathetic zooming and animadversion effects, and crumbling transitions amid frames.
The name derives from all-encompassing use of the address by American documentarian Ken Burns. The address predates his use of it, but his name has become associated with the aftereffect in abundant the aforementioned way as Alfred Hitchcock is associated with the Hitchcock zoom.
The name The Ken Burns Aftereffect was acclimated by Apple[1] in 2003 for a affection in its iMovie 3 software. The affection enables a broadly acclimated address of embedding still photographs in motion pictures, displayed with apathetic zooming and animadversion effects, and crumbling transitions amid frames.